Every now and then, I like to step away from the computer and spend time with a pencil and paper. Christian Manz, Framestore CFC, makes an interesting comment referencing what is necessary to be a good motion designer: “You need...
Client
Young H. WonClass
Foundations of DrawingYear
2013
In his essay, In the Image of God, Bruce C. Birch mentions that “To be created in the image of God brings with it the commission to care for the earth.” I was commissioned to care for a cat for...
Client
Dr. Richard T. HughesClass
Created and Called For CommunityYear
2012
Printmaking is one of my favorite art forms. I enjoy both the creative process and the look of the finished product. After sketching a design idea and breaking it into three components (one per block), I was able to skim...
Client
Professor Brenton E. GoodClass
Color & DesignYear
2011
This intricate composition was a two-fold test: patience of the mind and hand. A high-contrast magazine image was selected and broken into a specifically sized grid system. Each resulting square contained a shade of grey to be replicated using acrylic...
Client
Professor Brenton E. GoodClass
Color & DesignYear
2011
Quiet moments of graphite, vine charcoal, India ink, pen and paper; perspective, shadows, shades, dimension and depth....
Client
VariousClass
VariousYear
2011
The concept for this project was to contrast two objects that represent opposing concepts. I chose the category “natural versus man made” and found two images that were visually interesting and clearly represented the concept of each. The resulting composition...
Client
Professor Peter MollenkofClass
Introduction to DrawingYear
2010
This drawing was made using a stippling technique in felt tip pen. Lending itself to this process, a very grainy, high contrast image was used as a subject. The small, distinct dots were applied in patterns with varying densities. The...
Client
Professor Peter MollenkofClass
Introduction to DrawingYear
2010
The idea: merge two things in some natural or logical way. The object was placed dynamically into the frame, floating in a void of gray, so that the positive shape activates the surrounding negative space. The result is a surreal...